Primaire Ce1 Enseignements artistiques Arts plastiques « Bonaparte franchissant les Alpes au Grand-Saint-Bernard », de Jacques-Louis David Ce1 Enseignements artistiques Arts plastiques « Bonaparte Unable to convince Napoleon to sit for the picture, David took a bust as a starting point for his features, and made his son perch on top of a ladder as a model for the posture. La toile, de grande dimension (celle du Louvre mesure 2,89 m sur 2,22 m, soit un peu plus grande que la version de David), représente Napoléon Bonaparte, alors premier consul, en train de traverser un col des Alpes. François Gerard, a former pupil of David, posed for the hand. By the time Napoleon's troops arrived, Genoa had fallen; but he pushed ahead, hoping to engage the Austrians before they could regroup. Il est coiffé d'un bicorne de feutre noir galloné d'or. Christophe Henry, « Bonaparte franchissant les Alpes au Grand-Saint-Bernard : Matériaux et principes d'une icône politique », dans Daniel Roche, Le Cheval et la guerre : du XVe au XXe siècle, Association pour l'Académie d'art équestre de Versailles,‎ 2002 (ISBN 2-913018-02-5), p. 347-365 Genre(:Peintureàl’huilesurtoile!Localisation!Musée!du!Louvre,!Paris! The Spanish ambassador, Ignacio Muzquiz, informed Napoleon and asked him how he would like to be represented. jacques-louis david 1800 - 1803. l'oeuvre. The figure of the beautiful young man which David had already painted in La Mort du jeune Bara is also present in The Intervention of the Sabine Women. Conditions générales de vente Protection des données Mentions légales. Bonaparte franchissant les Alpes de Jacques-Louis David. Christophe Henry, « Bonaparte franchissant les Alpes au Grand-Saint-Bernard : Matériaux et principes d'une icône politique », dans Daniel Roche, Le Cheval et la guerre : du XV e au XX e siècle, Association pour l'Académie d'art équestre de Versailles, 2002 (ISBN 2-913018-02-5), p. 347-365 titre: bonaparte franchissant le grand-saint-bernard. The horse rears up on its back legs, its mane and tail whipped against its body by the same wind that inflates Napoleon's cloak. Avec une grande audace, Bonaparte joua la surprise en franchissant un col réputé peu praticable au printemps. Bonaparte appears mounted in the uniform of a general in chief, wearing a gold-trimmed bicorne, and armed with a Mamluk-style sabre. Versailles 1. La peinture représente Napoléon Bonaparte à la tête de son armée traversant les Alpes sur une mule, au printemps 1800, lors de la seconde … [4] It does not indicate the summit, but rather shows the observer the inevitability of victory and at the same time orders his soldiers to follow. The inclusion of Charlemagne and the "IMP" (signifying Imperator, i.e. Bonaparte franchissant les Alpes au Grand-Saint-Bernard - 1800. The third and last layer was used for finishing touches: blending of tones and smoothing the surface. Le 2 mars 1796, quelques mois après son entrée en fonction, le Directoire confie à Bonaparte le commandement de la campagne d’Italie contre les forces autrichiennes. With this work David took the genre of the equestrian portraiture to its zenith. The picture is signed L.DAVID YEAR IX. Il se peut qu'il s'agisse de l'exemplaire appartenant à la fille de David qui était exposé au Bazar Bonne-Nouvelle en 1846 que Delaroche ait vu alors qu'il exposait lui aussi trois toiles, pour cette même exposition[2]. He had sat for Gros in 1796 on the insistence of Joséphine de Beauharnais, but Gros had complained that he had not had enough time for the sitting to be of benefit. His head is turned towards the viewer, and he gestures with his right hand toward the mountain summit. À l'instar de l'œuvre de David, la toile de Delaroche a été largement reproduite. All five versions of the picture are of roughly the same large size (2.6 ± 2.2 m). Bonaparte franchissant les Alpes de Paul Delaroche, 1848, Muzeul Luvru Prin traversarea Alpilor de către armata de rezervă la 13 mai 1800 intervine Napoleon în cea de-a doua campanie din Italia declanșată … It quickly became the most reproduced image of Napoleon. Bonaparte franchissant les alpes. Il enfourche une mule, sa main droite est glissée sous son uniforme, sa main gauche est posée sur le pommeau de la selle. In contrast to his predecessors François Boucher and Jean-Honoré Fragonard, who employed a red or grey undercoat as a base colour on which to build up the painting, David employed the white background of the canvas directly underneath his colours, as some of his unfinished works show, such as his first attempt at a portrait of Bonaparte or his sketch of the Tennis Court Oath. Bonaparte franchissant les Alpes Paul Delaroche, 1850 I. Fiche d’identité * Nature de l’œuvre : huile sur toile * Date: réalisée entre 1848 et 1850 * Artiste : Paul Delaroche (1797-1856) Professeur aux Beaux-arts et peintre parmi les plus réputés de son siècle, il fut par ailleurs l’initiateur de l’anecdote historique, genre à … In reality the crossing had been made in fine weather and Bonaparte had been led across by a guide a few days after the troops, mounted on a mule. The version from the Belvedere (264 × 232 cm; 104 × 91​1⁄3 in) is almost identical to that of Versailles but is signed J.L.DAVID L.ANNO X. For the horse, David takes as a starting point the equestrian statue of Peter the Great, "The Bronze Horseman" by Étienne Maurice Falconet in Saint Petersburg, duplicating the calm handling of a rearing horse on rocky ground. Bonaparte franchissant les Alpes est un tableau peint en 1848 par le peintre français Paul Delaroche. Auteur!:PaulDelaroche! Ce n'est pas l'exactitude des traits, un petit pois sur le nez qui font la ressemblance. jacques-louis david 1803. introduction de l'oeuvre et de l'artiste. Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is any of five versions of an oil on canvas equestrian portrait of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. In 2005, Artist, Kehinde Wiley, imitated the original painting of Jacques-Louis David by transforming the traditional portrait into a contemporary version of Napoleon. Ainsi Bonaparte nous apparaît chevauchant un mulet vêtu d’une simple redingote … Une copie par Georges Rouget était aussi visible à la bibliothèque des Invalides. […] Personne ne s'informe si les portraits des grands hommes sont ressemblants, il suffit que leur génie y vive. The tack is simpler, lacking the martingale, and the girth is grey-blue. Napoleon Leading the Army Over the Alps (Kehinde Wiley), The Destruction of the Temple of Jerusalem, https://www.brooklynmuseum.org/opencollection/objects/169803, Diana and Apollo Killing Niobe's Children, Erasistratus Discovering the Cause of Antiochus' Disease, Saint Jerome Hears the Trumpet of the Last Judgment, Saint Roch Interceding with the Virgin for the Plague-Stricken, Portrait of Antoine-Laurent Lavoisier and his wife, The Lictors Bring to Brutus the Bodies of His Sons, Portrait of comte Antoine Français de Nantes, https://en.wikipedia.org/w/index.php?title=Napoleon_Crossing_the_Alps&oldid=996917283, Short description is different from Wikidata, Articles with French-language sources (fr), Creative Commons Attribution-ShareAlike License, This page was last edited on 29 December 2020, at 04:55. The 1802 copy from Les Invalides was taken down and put into storage on the Bourbon Restoration of 1814; but in 1837, under the orders of Louis-Philippe, it was rehung in his newly declared museum at the Palace of Versailles, where it remains to the present day. David uses inscriptions to reinforce the symbolism in eight of his known works: Bélisaire asking for Alms, Andromache Mourning Hector, The Death of Marat, The Furrier of Saint-Fargeau (lost), Napoleon Crossing the Alps, Sappho and Phaon, Napoleon in his Study, and Leonidas at Thermopylae. Le tableau Bonaparte franchissant les Alpes en 1800 a été peint en 1848 par Paul Delaroche. [5]. Dans ce tableau, David met en scène un épisode fameux de la seconde campagne d’Italie (1799-1800) menée par Bonaparte, Premier consul, contre les Autrichiens. The horses of the Greek statuary which appear many times in David's notebooks point to the bas-reliefs of the Parthenon as a source of inspiration. The Charlottenburg version (260 × 226 cm; 102​1⁄3 × 89 in) shows Napoleon in a red cloak mounted on a chestnut horse. Grâce à ces inscriptions, Jacques-Louis David inscrit Bonaparte en tant qu’héritier de ces vénérables prédécesseurs. The picture is not signed. Le Premier consul Bonaparte franchissant les Alpes au col du Grand Saint Bernard, Jacques-Louis David (1801) On completion of the initial version, David immediately began work on the second version which was finished on 25 May, the date of Bonaparte's inspection of the portraits at David's Louvre workshop. La peinture fut critiquée par plusieurs spécialistes de la question sur le réalisme de la scène. John Everett Millais also used the image to contrast David's theatrical rhetoric with a naturalistic scenario in his painting The Black Brunswicker, in which a print of the painting hangs on the wall of a room in which one of the Brunswickers who fought at the Battle of Quatre Bras prepares to leave his sweetheart to join the fight against Napoleon. 1 1. Napoleón cruzando los Alpes (también conocido como Napoleón en el paso de San Bernardo, Bonaparte cruzando los Alpes, Retrato ecuestre de Bonaparte en el monte Saint-Bernard) es el título de cinco versiones de un retrato ecuestre pintado al óleo sobre lienzo de Napoleón Bonaparte, realizadas por el artista francés … Selon Elisabeth Foucart-Walter, Delaroche aurait eu l'idée du tableau après avoir réalisé pour le Château de Versailles un Charlemagne traversant les Alpes [5] et s'inspira directement du récit de la scène dépeinte par Adolphe Thiers dans son Histoire du Consulat et de l'Empire[6]. Paul Delaroche, Bonaparte franchissant les Alpes, 1850″ On est d’accord, c’est tout de suite moins héroïque. Il renouait avec l’exploit des grands capitaines du passé, dont les noms sont inscrits dans la roche aux pieds du cheval, Hannibal, passant les Alpes avec ses éléphants en 218 lors de la Deuxième Guerre punique, et … David, who had been an ardent supporter of the Revolution but had transferred his fervour to the new Consulate, was eager to undertake the commission. Léonidas in Thermopyles shows a Spartan engraving details of their sacrifice on a wall. Gros, David's pupil, produced a small oil sketch of a horse being reined in, which was a probable study for Napoleon's mount, and the notebooks of David show some sketches of first thoughts on the position of the rider. It isn't the exactness of the features, a wart on the nose which gives the resemblance. Two of Napoleon's horses were used as models for the "fiery steed": the mare "la Belle" which features in the version held at Charlottenburg, and the famous grey Marengo which appears in those held at Versailles and Vienna. La peinture représente Napoléon Bonaparte à la tête de son armée traversant les Alpes sur une mule, au printemps 1800, lors de la seconde campagne d'Italie. à quoi bon ? A fifth version was produced by David and remained in his various workshops until his death. Son visage est impassible et son regard dirigé vers le spectateur. Nabi : Dis donc il savait drôlement bien faire du cheval !! Presse Vente de motifs. Le tableau appartient ensuite à la collection de M. et Mme. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made across the Alps through the Great St. Bernard Pass in May 1800. For what good? Bonaparte franchissant les Alpes est un tableau peint en 1848 par le peintre français Paul Delaroche. La date 1848 peinte sur la toile a démontré qu'il s'agissait de l'original. In Napoleon Crossing the Alps, the gesture leaves no doubt as to the will of the commander to arrive to his goal. Tableau original du Louvre, peint en 1848, vendu aux États-Unis, acheteur inconnu, racheté par le collectionneur John Naylor en août 1853 pour 1 750 livres. In 1979, it was given to the museum at the Palace of Versailles. Paul Delaroche (1848 ). Bonaparte cruzando los Alpes (también llamado Napoleón cruzando los Alpes, a pesar de la existencia de otra pintura con ese nombre) es una pintura al óleo de 1848-1850 que retrata a Napoleón Bonaparte, [1] realizada por el artista francés Paul Delaroche. Künzi F. – Bonaparte, Bicentenaire du passage des Alpes 1800-2000 – Fondation Pierre Gianadda, Martigny, 2000. In return Napoleon was offered sixteen Spanish horses from the royal stables, portraits of the king and queen by Goya, and the portrait that was to be commissioned from David. La dernière modification de cette page a été faite le 10 novembre 2019 à 18:35. L'exemplaire de George Onslow est en fait la deuxième version de l'œuvre et non l'original. The officer holding a sabre in the background is obscured by the horse's tail. The first two copies were exhibited in the Louvre in June 1801 alongside The Intervention of the Sabine Women, and although there was an outcry in the press over the purchase, the painting quickly became well known as a result of the numerous reproductions that were produced, the image appearing everywhere from posters to postage stamps. The officer with the sabre is again masked by the tail of the horse. The embroidery of the gauntlet is simplified with the facing of the sleeve visible under the glove. Ce tableau fut peint pendant l'automne et l'hiver 1800 pour le roi d'Espagne . Bonaparte franchissant les Alpes est un tableau peint en 1848 par le peintre français Paul Delaroche. Napoleon's features are older, he has shorter hair, and—as in the Charlottenburg version—there is the faint trace of a smile.